
City Lights Theater Shines with ‘Head Over Heels’
City Lights Theater Company delivers a mesmerizing performance of ‘Head Over Heels’, a musical that blends the vibrant beats of The Go-Go’s with the rich narrative of Sir Philip Sidney’s 16th-century prose, ‘The Countess of Pembroke’s Arcadia’. Despite minor technical missteps, the show captivates with its lively portrayal and audacious charm.
A Journey Through Camp and Comedy
The narrative follows the royal family of Arcadia as they grapple with the precariousness of power against a backdrop of whimsical prophecy and romance. King Basilius, portrayed by Dylan Bagwell, and his wife Gynecia, played by Caitlin Lawrence Papp, face their kingdom's imminent doom. Meanwhile, their lovely daughter Princess Philoclea, beautifully embodied by Lauren Berling, finds herself romantically entangled with shepherd Musidorous (Ryan Liu), showcasing a delightful clash of social classes and a comedic quest for identity.
The Go-Go’s Musical Mastery Elevates the Performance
Under the musical direction of Tina Paulson, The Go-Go’s pop hits come to life with phenomenal energy. While the first act struggled with sound balance, the second act harmonizes beautifully, allowing the audience to absorb the euphoric anthems of the iconic band. The dynamic performances of Chloë Angst as Pythio, the quirky oracle, and Catherine Traceski's hilarious portrayal of Pamela provide rich comedic flavor and keep the narrative moving.
Cultural Context: Nuances of Identity and Acceptance
The production not only entertains but also subtly addresses themes of gender and identity through characters like Pythio, a non-binary oracle, who injects a modern perspective into a classic setting. This inclusion reflects a broader shift in theater that embraces diversity and challenges traditional norms, preparing audiences for stories that resonate on multiple levels.
Setting the Standard for Local Theater
City Lights’ production stands as a testament to the growing recognition of local arts. By melding historical literary elements with contemporary music and social themes, ‘Head Over Heels’ not only captivates but also sparks dialogue among audiences about representation and inclusivity in today's storytelling.
Final Thoughts: An Invitation to the Theater
‘Head Over Heels’ at City Lights is an experience not to be missed. It demonstrates the vibrancy of local theater and its ability to link age-old narratives with the vibrant expressions of today’s cultural landscape. The engaging performances, lively music, and relatable themes offer an unforgettable night of entertainment where laughter and musical echoes linger long after the final bow.
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